DW EditSeite anzeigenÄltere VersionenLinks hierherAlles aus-/einklappenNach oben Diese Seite ist nicht editierbar. Sie können den Quelltext sehen, jedoch nicht verändern. Kontaktieren Sie den Administrator, wenn Sie glauben, dass hier ein Fehler vorliegt. ====== Block 24 — Wrap-up and Applications ====== ===== Learning objectives ===== <callout> After this 90-minute block, you can * connect the different negative-feedback op-amp circuits (Blocks 21–23) into a coherent system view. * explain how negative feedback determines gain, impedance, and linearity in practical op-amp circuits. * select an appropriate op-amp circuit (buffer, amplifier, summing, differential, transimpedance, transconductance) for a given application. * analyze complete signal chains consisting of several op-amp stages. * recognize practical limitations of real op-amp circuits (supply rails, saturation, loading, offsets). * interpret op-amp circuits as signal converters (voltage–voltage, current–voltage, voltage–current). </callout> ===== Conceptual overview ===== <callout icon="fa fa-lightbulb-o" color="blue"> * All op-amp circuits in Blocks 21–23 are variations of one single idea: \\ a high-gain amplifier whose output is fed back in a controlled way. * Negative feedback forces the differential input voltage $U_{\rm D}$ to become very small, which makes the circuit behavior depend almost entirely on external components, not on the op-amp itself. * Resistors do not merely “limit current” here — they define signal relationships (ratios, sums, differences). * Many circuits that look different (buffer, amplifier, converter) are mathematically and conceptually closely related. * Thinking in terms of signal flow and conversion is the key step from circuit theory to real engineering applications. </callout> ===== Core content ===== ==== From individual circuits to a system ==== In [[Block21]], [[Block22]] and [[Block23]], several op-amp circuits were introduced one by one. At first glance, these circuits may appear unrelated. \\ However, they can all be understood as special cases of the same feedback principle. A practical electronic system rarely uses just one op-amp stage. Instead, several stages are cascaded, each fulfilling a specific role: * Input stage: impedance matching (voltage follower). * Scaling stage: amplification or attenuation (inverting / non-inverting). * Combination stage: summing or subtraction (summing / differential amplifier). * Interface stage: signal conversion (current–voltage or voltage–current). Understanding why each stage is used is more important than memorizing formulas. ==== Negative feedback as an engineering tool ==== Negative feedback provides three essential properties simultaneously: * **Defined gain** \\ The closed-loop gain depends on resistor ratios, not on $A_{\rm D}$. \\ \\ * **Stability and linearity** \\ Small nonlinearities inside the op-amp are strongly suppressed. \\ \\ * **Impedance shaping** \\ High input resistance and low output resistance can be achieved at the system level. These properties explain why op-amps are ubiquitous in analog electronics. ==== Typical application patterns ==== Some recurring patterns appear across many applications: * **Sensor readout** \\ Sensors often deliver currents or small voltages → transimpedance amplifier → voltage amplifier. \\ \\ * **Signal conditioning** \\ Offset removal and scaling → differential amplifier + non-inverting amplifier. \\ \\ * **Summation and mixing** \\ Multiple signals combined with weighting → summing amplifier. \\ \\ * **Actuator drive** \\ Voltage command converted into controlled current → voltage-to-current converter. Recognizing these patterns allows fast interpretation of unfamiliar circuits. CKG Edit